This month I have had another book chapter published in The Aesthetic of Our Anger: Anarcho-Punk Politics and Music edited by Mike Dines and Matt Worley. The book is a collection of writings covering many aspects of anarcho-punk culture and is the first edited collection to interrogate anarcho-punk. Additionally the book is published by Minor Compositions which are an imprint of Autonomedia who publish books on radical media, politics and the arts. In true punk style the whole book is available as a free download here
Alternatively you can purchase the book from Minor Compositions website here for only £10 and you will know that your money is going straight back in to supporting radical publishers and the radical press rather than the cut that popular online through sellers take.
My chapter for this book examines the Gramscian concept of the Organic Intellectual through the discourses of the editors of a selection of British anarcho punk ‘zines from 1980-1984.
Abstract (Full chapter text here from-protest-to-resistance-matt-grimes)
This chapter focuses on the role that alternative publications played in the cultural, political and ideological practices of the British anarcho-punk movement between 1980 and 1984. I explore the way these ‘zines disseminated the central ideas of anarcho-punk and the way that the editors mediated a shifting notion of anarcho-punk. In doing so I seek to move beyond the simpler notion that ‘zines acted simply as channels of communication, but to the idea that discourses of resistance and defiance are constructed and reinforced through the embodiment and undertaking of ideological work of ‘zine editors as ‘organic intellectuals’ and thus represent cultural work. This raises some interesting questions about the role of ‘zine editors/producers as key agents in articulating the perceived central tenets and identity of a subcultural movement. Where previous studies on ‘zines have alluded to the role of editors little emphasis has been placed on the way that these ‘zine authors take on leadership roles and perceived positions of authority.
I examine how DIY fan production practices, through the articulation of specific and at times oppositional ideological positions contributed to the construction of the musical, cultural and political boundaries of the anarcho-punk movement. Therefore this presentation explores how these discourses of political position, authority and identity were mediated and the sense of an anarcho -punk movement that they constructed.